Mosses and Marshes
I was introduced to Kim V. Goldsmith (Dubbo, NSW, Australia) through international remote collaboration organisation, Arts Territory Exchange and we have been developing ideas over the past two years around exploring the ecologies of the landscapes near where we live and work.
The Mosses and Marshes project spans between the UK and Australia, both with Ramsar listed wetlands of international importance: the Fenn’s, Whixall and Bettisfield Mosses (UK) and Macquarie Marshes (New South Wales, Australia).
Together we have launched a crowdfunding campaign, aiming to raise a minimum of £2,500 to exhibit artworks we have created.
We are now working to secure exhibition venues for the second half of 2021 and into 2022, within the communities where the works were created, as well as nationally and internationally.
Funds raised through donations will be used to cover exhibition expenses in UK and Australia – such as venue hire, equipment hire and printings costs.
Kim V. Goldsmith and I will be the lead artists and project coordinators of Mosses & Marshes , working in consultation with the relevant authorities and community, including public and private land managers.
“One of the things we’ve both been very interested in are the stories behind the wetlands. We’re keen to see how we can weave these into the works, drawing out the commonalities that often have to do with shared hopes for the future of these environments.”Kim V. Goldsmith
At Fenn’s, Whixall and Bettisfield Mosses, we are working in partnership with Shropshire Wildlife Trust and Natural England who have been willing to permit access to the site for walks, surveys and recordings. I will also be working with other local organisations to build a longer term project.
On the surface, these two wetland areas are vastly dissimilar – one is a raised peat bog inundated with water, the other severely impacted by ongoing drought. In addition, the landscape, the issues and management of the Mosses and Marshes all differ in response to their respective climatic and environmental conditions. However, both are natural sites of international significance, and both have an impact on or are impacted by land uses.
The interpretation of water data for both sites, along with access to them from field trips, provides an opportunity to present these spaces creatively through a new lens, in a way not routinely experienced. This in turns gives managing bodies, and those with an interest in the Mosses and Marshes, a chance to put the spotlight on why they are so important and how they might be managed in future. As Ramsar-listed international wetlands of importance, these sites “are recognized as being of significant value not only for the country or the countries in which they are located, but for humanity as a whole.” Recent events, such as the bush fires across Australia, demonstrate how fragile and vulnerable these landscapes are to climate change.
My work to date comprises paintings, prints and photography presenting views of the interdependent relationships between humans, the land and its ecosystems. One of the main focal points was the restoration of a former car scrapyard back to wetland habitat. Here I gathered a number of found objects which have inspired several artworks.
The process of developing this project would be via a series of on-site residencies, with the lead artists, consisting of field trips and other events to gather information and material. In later project phases, it is intended that residencies may be extended to invited artists.